Digital Film/video 7 minutes, 30 seconds The Forest, the Punan, & the Tree Dress connects us to the Cave Punan, the last known mobile hunter-gatherers in Borneo and probably all …

Starlight In 2021, Vibeke Sorensen produced Starlight in collaboration with Nanyang Technological University (NTU) Singapore physicists Prof Lock Yue Chew and Dr. Andri Pradana, as well as Complexity Science Hub …

In 2020, inspired the indigenous people of Borneo, Indonesia and their traditional bark cloth, Vibeke Sorensen created the Tree Dress that consists of digital panoramic photographs of a living tropical …

The exhibition entitled “Priests and Programmers”, inspired by a book of the same title by anthropologist J. Stephen Lansing about Bali and its Green Revolution, was presented at the First …

Prakempa (Offerings) (2018) is a short abstract animation inspired by Balinese Gamelan music, art, and cosmology. It celebrates Balinese traditional flower offerings and pays homage to “the God that lives in …

In Other Wor(l)ds (2018) is an interactive installation consisting of 48 large scale (5.3 meter high x 1.5 meter wide) computer graphics images printed on semi-transparent textiles and embedded with animating LEDs, …

Flow(er)ings (V 1, 1 min, colour, sound), projection mapping animation for the Nanyang Technological University Singapore, Chinese Heritage Centre, as part of the Emergent Visions Symposium at  NTU, 29 – …

Digital Amulet:Smart Necklace (2017) is a 3D printed wearable multimedia necklace (collar) containing 4 networked Android displays with touch sensors, real-time weather data, sound, and animation, and is informed by ancient Egyptian …

Turbulent Wor(l)ds (2017) is a series of works that derive from high resolution sequential images and include digital poetry, generative animation using turbulence algorithms, and fashion (textiles). Individual images are included in …

Fear Sad and Surprise Mood of Singapore (2016) is an interactive “painting” that makes use of Big Data and Twitter in the Singapore context, and like Mood of New York and Mood of the Planet rethinks what …

Mood of New York (2016) is an interactive “painting” that makes use of Big Data and Twitter, and rethinks what “public” art constitutes today. It is part of a series of work …

Mood of the Planet (2015) Artist Vibeke Sorensen, concept, architectural installation, smart-tile (“digi-tile”) technique, Pure Data/GEM graphics and sound programming, animation and music Media Glass, steel, wood, custom electronics, twitter, …

Mayur (2015) Mayur, which means “peacock” in Sanskrit, is a 7 min 42 sec 4K (4096 x 2160) resolution visual-music animated work inspired by Asian cosmologies, music and textiles. Digital …

Vishwaroop (2014, 4:30, 4k digital dome film) Vimeo (please select 4K in gears) The title Vishwaroop (vishwa: universe and roop: form) is from Hindu philosophy and means the appearance of …

Inspired by Asian traditional folding screens, Tibetan medicine mandalas, and the atmospheric phenomenon known as the Aurora Borealis (the Northern Lights), Illuminations is a real-time, interactive twelve screen visual music …

Crystal Aurora (2012) is a real-time computer generated visual music installation that employs four 6 x 8 foot screens, four computers and projectors, a multichannel sound system, and a large …

Images are stereoscopic for cross-eyed free-viewing Green Space is a stereoscopic animation and installation based on 3D still photographs of nature. The artist put them into motion, layering them similar …

Sanctuary: An Interactive Architectural Installation                      by Vibeke Sorensen Sanctuary Buddha In Memory of William Moritz 1941 – 2004 Sanctuary is an interactive architectural installation based on cross cultural interpretations …

Green Memories is based on the poetry of Persian author Forugh Farrokhzad and inspired by her poem ‘I PIty the Garden’ It is a 50 minute real-time visual music performance …

Animation and Video by Vibeke Sorensen Music by Rand Steiger Performed live by MOSAIC Above: Dreamscape, 20 min, stereo audio Click here to see quicktime selections (higher resolution silent) A …

These images are based on photographs taken in Diamantina, Brazil during the Winter Festival of the School of Fine Arts at the Federal University of Minas Gerais (UFMG, Belo Horizonte) …

Morocco Memory II (1999) by Vibeke Sorensen Click here to view Stereoscopic images of Morocco Memory II Installation Viewing Instructions To view these images in stereoscopic 3-D, position your head …

Lemma 2 was the latest result of the Global Visual Music project of Miller Puckette, Vibeke Sorensen and Rand Steiger. The performance took place on April 8, 1999 at the …

World Views is a series of objects that combine digital image communication with mechanical technologies, all closely associated with western scientific knowledge and discourse. They comment on western digital media …

Supported by a grant from the Annenberg Center for Communication: New Display Technology for Computer Art. Co-PI’s: Prof. Vibeke Sorensen, School of Cinema-Television, Division of Animation and Digital Arts and …

Installation part of the exhibit Reconstructed Thoughts at the Sweeney Art Gallery at the University of California at Riverside, January 11 – March 1, 1998 Supported by a grant from …

Color Story is an experimental narrative that combines text, memory and perception in a non-linear format to arrive at a story about color as light and meaning in human relationships. …

Lemma 1 was the first performance experiment of the of the Global Visual Music project of Miller Puckette, Vibeke Sorensen and Rand Steiger. The concert took place on September 27, …

MindShipMind is an interactive multimedia installation which was started in summer 1996 during an interdisciplinary 3 week seminar on: • order • complexity • beauty in Copenhagen, Denmark. This seminar …

Absolut Sorensen, part of Absolut Panushka (1997) On-line international experimental animation festival and history project. Image elements on this page are excerpted from larger website. See diagram for viewing instructions. …

5:30, NTSC color video, stereo audio
Video and Computer Animation by Vibeke Sorensen
Performance by Ed Harkins and Phil Larson
Thanks to Harry Lee Ammons, Jim Rohrig, Lisa Schoenberg, and Miha Vipotnic
Produced at …


© 1995 Vibeke Sorensen
. Produced at the San Diego Supercomputer Center, ASVL Note: the images above are stereoscopic, arranged for cross-eyed ‘free viewing.’ This means that the Left-eye image is …

Note: the images above are stereoscopic, arranged for cross-eyed ‘free viewing.’ This means that the Left-eye image is on the right, and the Right-eye image is on the left. To …

Stereoscopic Drawing and Animation Software Programming and User Interface design by Vibeke Sorensen (ran on MacIntosh) Note: the stereoscopic image below is arranged for cross-eyed 3D ‘free-viewing’ (c) 1993 Vibeke …

Reflection Study
© 1989 Vibeke Sorensen
Produced at the CalArts CAL Note: the images above are stereoscopic, arranged for cross-eyed ‘free viewing.’ This means that the Left-eye image is on the right, …

NLoops (1989) is 7 minute abstract computer animated work by Vibeke Sorensen. It is based on polyrythmic musical structures translated into 2 and 3 dimensional space, and realized using computer …

Click here to view the installation piece. Click here to see a video interview with excerpt. Concurrents is a 13 minute, 9 monitor installation work which juxtaposes organic and geometric …

© 1986 Vibeke Sorensen 
Produced at the Caltech CSGG I took a course at Caltech called “The Potentials and Limitations of Computing Machines” taught by Richard Feynmann and Sandy Frey. …


© 1986 Vibeke Sorensen
Produced at the CalArts CAL 3 minutes, NTSC color video, stereo sound
Music by Melissa Tong In 1983, I began working on a new piece where the historical …

© 1986 Vibeke Sorensen
Produced at the CalArts CAL Note: the images above are stereoscopic, arranged for cross-eyed ‘free viewing.’ This means that the Left-eye image is on the right, and …

Computer generated 3D images and animation by Vibeke Sorensen (Images below are Left eye image views of stereoscopic pairs) Click here to see a movie

ArtsTech 85 Show of 2 and 3 dimensional digital images and animation, text, computer stereographics, and digital sound and multimedia performance works from California Institute of the Arts, California Institute …

© 1985 Vibeke Sorensen
Produced at the Caltech CSGG Note: the images above are stereoscopic, arranged for cross-eyed ‘free viewing.’ This means that the Left-eye image is on the right, and …

© 1985 Vibeke Sorensen
Produced at the Caltech CSGG Note: the images above are stereoscopic, arranged for cross-eyed ‘free viewing.’ This means that the Left-eye image is on the right, and …

Video by Vibeke Sorensen and Tom DeWitt (Copyright 1983 TaV) Music by Vibeke Sorensen

Excerpt from video by Tom DeWitt, Vibeke Sorensen, and Dean Winkler (c)1983 WTV Music by Vibeke Sorensen

Cool Fire (1983) by Vibeke Sorensen Produced at the Caltech Computer Science Graphics Group

4 minutes, color, stereo sound. The ‘eye of the storm’. Music by Vibeke Sorensen with Walter Michael. Video by Tom DeWitt, Vibeke Sorensen, and Dean Winkler. Grand Prize at the …

8 minutes, color, stereo audio, NTSC (excerpt) A flight inwards and outwards, this piece is inspired by Marshall McLuhan’s idea that electronic media extend our perception. Click here for credit, …

Abstract video art created in 1980. Video by Tom DeWitt, Vibeke Sorensen and Dean Winkler. Music by Vibeke Sorensen.

Video Synthesis Laboratory at Rensselaer Polytechnic Institute, Troy, New York (1978-80) Vibeke Sorensen working on ‘S’electrons’ (1978)

Temple (1975) 4 minutes 30 seconds Excerpt from Videocean (30 minutes) Analog computer animation and electronic music by Vibeke Sorensen. Produced at the WNET TV Lab, NYC Digital restoration 2009, …

TV Tubes is a part of a collection of video art works entitled Videocean by Vibeke Sorensen. Sorensen produced the video for TV Tubes using a Rutt/Etra synthesiser (raster scan …

Tom DeWitt with Vibeke Sorensen, et al Production stills Photographs © 1974 Vibeke Sorensen